Confrontation, An Axe of Iron Novel

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  1. Release That Witch Chapter 1138
  2. Tag Archives: Cover Art
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  4. Coaxing Out Notes | Small Axe Project

Release That Witch Chapter 1138

It was a valuable food source, preservative, and lamp fuel. Women and children scour rocky cliffs for seabird eggs to add to their food supply giving the kids some stress relieving egg throwing activity. Unforeseen and inevitable injuries, herbal treatments, Viking burial ceremony amidst deep held Christian beliefs. Hunting and cooking for survival, sewing for protective covering, animal pelts and jewelry making for trade commodity. The best and the worst of human nature revealed in a hostile new world.

Reviewed by Cold Coffee Press on October 18, He writes and promotes full-time. His books are also available from Amazon. Although he has long been a writer, much of his adult life has been associated with commercial aviation, both in and out of the cockpit. As an Engineering Technical Writer for Honeywell Commercial Flight Systems Group, Phoenix, AZ, he authored two comprehensive pilots' manuals on aircraft computer guidance systems and several supplemental aircraft radar manuals.

His manuals have been published and distributed worldwide to airline operators by Honeywell Engineering, Phoenix, AZ. Many of his articles have been featured in other periodicals and websites or are featured on his blog. After his flying career ended on his 60th birthday, he found himself with time to continue his writing; this first novel was actually begun more than twenty years ago. He attended many writing classes and seminars, but couldn't sustain a head of steam as a writer. All of that changed abruptly in , when he remarried. Phyllis provided the necessary push and as a result he treated writing as work, which it most certainly is.

Writing is a learned craft. In order to learn to write, you must write. Eventually the classes must be set aside; set a daily work schedule and stick to it. That is not to say you should stop taking classes altogether; learning is a lifetime experience. Sooner or later though, you must take the plunge and go at it on your own.

Have a story to tell, one that you like. Then sit down and get busy. Have your work professionally edited: rewrite, edit, rewrite, until you've gotten it as good as it can be. Tell us what makes you proud to be a writer from Grand Junction, Colorado? Writing is the culmination of a lifetime of learning and working at my chosen profession.

My first composition for hire was as an air transport engineering technical writer. Now, for the first time I am able to work at my own pace in response to my criteria for the task at hand. I always wanted to write, but my primary mission was to make a living for my family, so I had no time for pie-in-the sky dreams. Now that my career has ended and my life is settled I can write without the worry of making a living. If my books continue to find a market, one day I might perhaps make a success of this. In the meantime I am telling my stories, people are buying and reading my books, and that is what this is all about for me.

It never was about the money; rather it is about telling the story. What or who inspired you to become a writer?

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I have been a writer all my life, but I merely dabbled at writing. But I did have a story to tell that gradually possessed me, so I had to tell it. My wife, Phyllis provided the support and advocacy that I needed to actually write a novel. When did you begin writing with the intention of becoming published? I began to write the story years ago, but the time and desire to write and finish the work did not manifest itself until I retired from flying and remarried. My soul mate entered my life in Feb.

From that point on she gave me the shove that I needed to organize the details of what had been rattling around in my head over most of my adult life. Did your environment or upbringing play a major role in your writing and why? Yes, definitely! I came from a military family of readers and I was raised before TV ruined the family unit in American society. My Dad wrote many short stories and articles, so his grasp of the English language and his amazing vocabulary impressed me from the beginning. My entire education was in Parochial schools and Parochial College, so I received the best stimulus available to become whatever I wanted.

Do you come up with your title s before or after you write the manuscript s? I have all the titles of my Axe of Iron Series noted, as each covers a certain segment of the series and that title reflects a major scene of that particular book. Tell us why you write the genre s that you write? I am an avid reader of both history texts and historical fiction novels. Written history has many holes, gaps if you will, that give an author an endless supply of fodder. It is natural for me to tell stories about subjects in which I have an interest. The Greenland Vikings and the medieval Viking culture in general have always been my focus.

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The Axe of Iron Series are character-driven, historical fiction books. My characters tell the story and the reader sees the events through their eyes. I have had a lifelong interest in the medieval Norse people. That interest became focused on the five hundred year history of the two known Norse Greenland settlements. The mystery surrounding their abandonment and the disappearance of every single person living therein has captured my imagination.

My books offer a plausible story of what my reading and research has indicated may have happened to them. Tell us your most rewarding experience while in the writing process? That would have to be when the rough draft is finished and I read the entire manuscript and realize that I have written a good story.

Tell us your most negative experience while in the writing process? The road to publication has been a nightmare because of the time and money wasted while I learned the business. Believe nobody, and get everything in writing, research, research, and research.

Dealing with agents is a most disheartening undertaking for a writer. Agents act like the writer exists because of agents, when in fact it is the other way around. I wasted a year trying to find an agent from among those professing to have an interest in my area of my genre only to find that there are not any in existence. I have no need for an agent. Having said all of that, though, clearing the air so to speak, I do have a few suggestions if you are interested.

Do your homework on the submission guidelines for any query. All literary agents will have their own guidelines; adhere to them absolutely. Do not ever send a manuscript unless it is requested. Hire professional editors to edit everything that another person will read, especially the final draft of your manuscript. Spell check, spell check, and spell check. An English teacher is not an editor and you cannot edit your own work, so hire someone.

Your professionalism will determine whether you ever make the grade. A shabby cover letter on your submission packet will guarantee its demise. Agents and publishers are busy people and they have no time to waste on people who do not follow their submission guidelines. Tell us your most rewarding experience in your publishing journey? When you hold your finished book in hand.


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You will have been through a gut wrenching, mind-numbing roller coaster ride. You will have wanted to get off more than a few times, but you stuck it out and your finished book has made it worthwhile. Tell us your most negative experience in your publishing journey? Having to learn the trade, write my book, take care of copyright, ISBN, barcodes, etc. It made the process all uphill and much of the pleasure was lost as a result. I did find such a house in BookMasters, Inc.

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Coaxing Out Notes | Small Axe Project

Bookmasters can and will do everything they tell you. However, be aware that there are MANY unscrupulous people and companies out there waiting to take your money while promising the moon. Now that I know something about the business I have found this second book of my Axe of Iron series to be a satisfying experience. I would have preferred to hire a literary agent and publish my work through a large house. That did not happen due in part to the continued decay of publishing in this country.

In this economy, which will continue to worsen at all levels, few large houses will survive, leaving the small independent publisher as one of the few avenues to publication for an author. Those publishers that survive, large and small, will be extremely selective in the books that they publish, leaving many authors to wither away. What one positive piece of advice would you give to other authors?


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